Wednesday, January 27, 2010

Set Designer's Statement, Written as Rydell Fellowship Contestant

The design of sets and properties creates kinetic sculpture. I like to salvage materials with poignant textures and patinas. Building from scratch adds authenticity.

The design for Of Mice and Men employed hay bales tightly woven from burlap. The bales represented the tragic bond between George and Lenny. In A Doll's House, I prepared for Nora's breakdown by using surfaces of white steel, Plexiglas and mirrors–sanitary, uncluttered and breakable. And in Incorruptible, the audience was eased into the medieval church humor by actors made comfortable on a set of  recycled "fabric" stones and "lived in" funiture made of old dump wood.

Building theatrical jungle gyms is driven by the characters' needs. The use of literal or figurative surroundings helps to visually push the players' toward the defining crisis and resolution.

The connecting theme in all my work, regardless of medium, is the exploration of character.



2009



© Donald Grube, 2010

Monday, January 25, 2010

A More Romantic, Contemporary, Practical, Tasty and Overall Better Dance

My Father planted
A fiveplumgraft in our back yard
That's five! Count them please

He has since passed on
The plum tree to his children
A love/hate affair

Some years we canned plums
Others, over pruned... chaos!
Others still, neglect–

Death! Now there are just
Three types of plum on our tree
Red, yellow and prune

This Winter...
Something most unusual
Happened

"Car Makers Bankrupt"
So the family turns to art
For the holidays

Little did we know
Our quinplum reborn plumterce
Offered us a gift

Yes, after all leaves
Had fallen accept on one
Ostentatious branch

There were two plums left
Ripening slow in winter
Mud on all of us!

They were doing the
Lyndy Hop, Balboa, Jive,
The Boogie Woogie...

Having so much fun
One upping the entire
Christmas Day party!

Proof positive that
The Better Most Grand Dance is
Plums out of season!



© Donald Grube, 2010

San Lorenzo River at El Rio Mobile Home Park

I walk a new loop
wet, green, hot and dry spells to
watch our river flow



2009



© Donald Grube, 2010

La Plus Grand Danse

C'est une feuille
qui s'appelle "La Feuille Éternelle"
Son première jour est au printemps
son dernière, en automne
Elle pense on été et est juste une pensée en hiver
La Feuille Éternelle est toujours jeune
Elle est très intelligente aussi
Quand il fait mauvais
cette feuille est contente et heureuse
parce qu'elle s'attend à descendre à la terre
Ce moment est très court
mais c'est la plus grand danse
La Feuille Éternelle vit pour mourir



1983



© Donald Grube, 2010

Gott im Himmel

"Ouch! Fuck, shit, piss, hell, god damn, mother-fucker." Once again Penelope had stubbed her toe. "Fuck, shit, piss, hell, god damn, mother-fucker." This was Penelope's chant when ever she stubbed her toe, which was quite often. Maybe two or three times a week. "Fuck, shit, piss, hell, god damn, mother-fucker," she sang out loud again and again until that immediate pain subsided into a warm  sensation.

Penelope was in kindergarten studying her ABC's under Ms. Blatz, an unenlightended teacher who required mostly memory work from her students and the silliest art projects. Penelope was headed home from school after being chastised by Ms. Blatz for writing a mirror image of the letter "b." Penelope was within one block of home when she crossed the street and slammed her right foot smack into the rise of the curb.

"Fuck, shit, piss, hell, god damn, mother-fucker," she cried out at the top of her lungs.

This by-product of her physical awkwardness was enough to catch the attention of Mrs. Peru who looked up and seeing it was Penelope said, "And a fine day to you, too, Penelope."

When Penelope got home, her Father was waiting for her in the studio. "Well, hello my little Penelope." Her Father pronounced her name accenting the first syllable. This of course sent Penelope running into his arms with glee.

"Oh, fine Daddy. Is it all right if I make my 'b's' backward?"

"It's just fine with me. You know sometimes I confuse my 's's' for my 'z's"

Penelope looked around the room at the walls covered in pictures of male nudes. She finally located the new work. "Tell me about that one, Daddy?"

"Oh...I don't know. I guess it's me, accept my head is on backwards. It's kind of a state of mind piece."

"Daddy, it happened again." She sat down in the model's chair illuminated by the 100 watt, full spectrum lamps and began to untie her left shoe. "I just didn't see the bump."

"Let me see dear." He helped her pull off her thick wool sock revealing four toes with Band-Aids and a little toe with out, but the new abrasion was obvious. He went over and got another Band-Aid and said, "Well now, Penelope, you've got a complete set. You know, I'm not much for scrapes and bruises. All I can do is keep applying Band-Aids and more Band-Aids. Accept. Then he knelt down in front of her and kissed her little, little boo-boo. As far as coaching you on some prevention method I'm at a loss. But your Grandma Joan is pretty nimble. Would you like to ask her for some assistance?"

"At least we can have a good cry together. I'll call her, and you can take me over? Daddy? Keep up the good work."

***

"Grandma Joan, Grandma Joan?" Penelope screamed as Joan opened the front door.

"It's so nice to see you Pen, darling. I baked some snicker doodles right after you called. They'll be out in a minute. Come on in."

Grandma Joan's house always felt like home to Penelope. She missed a woman's influence in her life. "Dad's out in the car reading a playgirl. He thinks he needs help on his male figures."

"Is that so. Hmmm?. You know your Father's a great artist. And his most recent work, his focus on the male anatomy, he'll be remembered for that. I keep asking him for a picture to hang on my wall." Her voice trails off. "I think the doilies frighten him. Anyway, how many times this week?"

"This is the second and it's only Wednesday. I took your advice about cursing until the pain is gone. How's this?" Then at the top of her lungs. "Fuck, shit, piss, hell, god damn, mother-fucker! I collected them from school and around and strung them all together myself."

"Yes, that's quite creative of you." At a loss all of the sudden. "You know Pen, I was thinking...Would you be a dear and get that German dictionary off the shelf? That's right, the red one. Now bring it here, please? Okay, stand up straight, with your tookus in and your shoulders back. Now look off into the horizon and tilt your head forward a bit. I'm going to place this dictionary on your head. That's right! Feel proud as if your on stage and everyone is looking at you. Now walk about the room. Let your peripheral vision guide you past any obstacles. That's great honey. You know you remind me more and more of your mother everyday."

"She had blond curly hair like mine." Penelope runs her fingers through her hair.

"Okay, dear, you can take the book off now and put it on the table. I think the cookies are done. Be right back." 

Penelope sat there quietly looking at the room and decorations. The Hummel figurines and Meissen Porcelain, all the antique furniture, and the old yellowed landscapes. Everything seemed to be appropriate to Penelope. Not one thing out of place.

"Here we are. Now I want you to practice with a book at home."

"Oh, yes Grandma Joan. Can I take a cookie to Daddy?"

"Yes honey. Now run along. Oh, and Pen? Try 'Gott im Himmel.'" 

"Thanks Grandma Joan." And with the cookies she ran outside at light as a dove to the car window, banged on it and shouted, "Gott im Himmel, Daddy, try one of these."



1990



© Donald Grube, 2010

Sunday, January 24, 2010

Gross Point Blank, A Review

Gross Point Blank inspires
flexible morality:

ominous fortunes!



2009




© Donald Grube, 2010

Saturday, January 23, 2010

It's not a bird!

I have the desire, training, experience, products and self-knowledge, to love you.

If that love should ever fail you, I can sidestep it like that! Then with the mushy, new, green, gunk growing from deep in the ground, between my toes, up my legs and spine and out out my arms to the tips of my fingers, I will great each new pulsing, slimy, unformed mote of a love thought, with a warm  and enthusiastic bear hug! For now, I have discovered my super power:

I see patterns clearly and quickly.

Patterns in love's nascency. From one amorphous shape, dividing and multiplying into more recognizable conditions. No longer will confusion stay. No longer will I be miffed. And if I don't answer right back, feed me some tea for god's sake and let me stay a while. For maybe a conversation is needed, to stir the pot and quicken the brew!

Oh, world I do love you now!

So beware planet. Here he comes. Not a plane. It's not a bird. But...

Pattern Man!



© Donald Grube, 2010

Jump From Addiction

Run from cigarettes
It is easy to quit but
At what cost to friends

Screaming loud for help
Desire crawls deep within
Sit calmly and wait

Peace, peace, peace, peace, shit!
Breath tries to find a release
Wrapped up in coils

Will freedom be mine?
I hope and pray for the best

Black squirrel on wire



1/30/2009



© Donald Grube, 2010

Friday, January 22, 2010

The Night

The dark
night
sets still
with silent
shadows
and noisless
trees



1975



© Donald Grube, 2010

Fall

Fall is
cool
with mild
winds
And the scent
of burning
leaves
as they
crackle



1975



© Donald Grube, 2010

Boardwalk Beach

amusements quiet.
this winter night's waves clean beach
for morning's crisp light



2/18/09



© Donald Grube, 2010

Thursday, January 21, 2010

A Sunday Afternoon Drive

Despite the arguing, we got the windows up in time to save us from the red, brown dust that can clog your nostrils for weeks, or at least most of us survived. Chris was sneezing. That'll teach him to get the window up faster.

It was five minutes of hell everytime we passed a truck or car. To avoid choking, it was manditory to get the windows up before the automobile passed us. Both cars had to slow down and sneak by each other, avoiding the drainage ditches on both sides. Then the drivers had to trudge through the other car's dust for about four minutes, until the fog had lifted. Even rolling up the windows didn't stop the dust from coming in, we still had to tape the hatch back shut and stuff towels in the door jams.

Then Alice, my older sister, screamed, "There's a snake in the road."

"Oh, Les." My Mom said to my Father while she grabbed her seat belt. "Slow down! There's a snake in the road."

"Oh, boss!" said Chris, my younger brother.

"God, that sucker's big," I said, "Hey, Dad, what kind is it?"

My Dad's eyes opened wide, turned glassy, and got that look resembling those times when he used to spank us, all serious like.

"Go around it," My Mom said. "Don't run over it. Oh, Les! It may come up from the bottom."

Meanwhile an African woman, with her baby strapped to her back with a piece of Java print, had already anticipated the danger and had picked up a large stick out of the ditch. My Father was just about to squash the six foot snake--ba bump!

"It's dead," he said as he pulled over.

The woman, with the eucalyptus branch in her right hand, began thumping the still very much alive snake. It was crawling awkardly for shelter in the gutter. Then the baby began to cry. A short cry, then a long silence while it breathed. Then another series, always accompanied by the haphazard beat of the club. Then a young Aftrican man road up on his bicycle and saw that it was his job to kill the already mutilated snake. He ran over to the  lady, shouting at the top of his register, grabbed the stick and started pounding the snake into the ground, giving one loud cry for each hit.

The big bloody mess didn't even resemble a snake any more. The woman, sick to her stomach, began throwing up. Gobs of muck came spewing out of her mouth and splashed to the ground.

"Start the car, Les." Mom said.

"Wait a minute," I said. "Mom, I feel sick; let me out."



1979



© Donald Grube, 2010

A Poem

Each night I start over
Morning comes a new sheet
The day inevitably wrinkles the page
Homework put aside, practicing...
I long to crawl into a warm poem



1983



© Donald Grube, 2010

Letter from dear friend and colleague supporting my conscientious objector status when registering with the United States Government so that I might receive financial aid as a student in college; Today I am still an artist and a peaceful citizen.

July 21, 1980

Dear Sirs:

Donald Grube is a man of peace and a man of exceptional talents in musical composition, and other creative areas as well. The criterion for producing in these areas is a high degree of sensitivity to the world around us. Laying one's feelings open in this manner is risky, for one becomes more vulnerable to feeling too deeply the suffering of others that one generally is helpless to alleviate. But such is a necessary component in the production of beauty.

Thus, to educate him in the fields of barbarism, and force him to commit the immoral act of murder, abhorrent to his nature, could well make a casualty of his talent and sensitivity in the process. Talent cannot be distributed by mandate, and thus should be preserved and nourished wherever it is found. For the contributions of such people enhance the quality of life we claim to be defending.

President Carter has not spoken kindly of conscientious objector status, indicating that everyone should fight for the government if called. But, as we don't live in a dictatorship, a citizen's personal convictions should not be violated by not respecting his constitutional right to object. Military might has never sustained a nation better than a nation that supports the right of its people to object. For this is part of the application of "Government of, by and for the people."

Sincerely,

Ross Eric Gibson
Santa Cruz, California

Wednesday, January 20, 2010

3 Bonsais Fall Victim to Her Wit, Actors' Theatre, Tuesday, 1/19/2010

The Willing Suspen-
sion Armchair Theatre hosts
Claire Braz-Valentine.

Director: Karen
Schamberg; Actors: Phil, Billy,
Wilma, and Karen.

A night of essays,
Letters, poems, monologues,
And personal ad.

A grand reception
For the poet and playwright
Famous from SC,

Where Claire autographs
Copies of SONGS OF MY HEART,
COLLECTED POEMS.

After the party,
When returning chips, bottles,
Plates, and champagne flutes

To Patricia's house
For cleaning, Pat and her son
Drove through the torn streets

To West Side Santa
Cruz, dodging fallen tree limbs and
Severed power lines.

They step past the gate,
Tread six inch deep puddles and
Notice upturned pots?

3 bonsais hurdled,
Cracked, as if burst from laughter.
Victims of the wind!

Victim to Claire's words,
ALL 80 MINUTES! Humor,
Sweat,  memoirs ritten.

Phrases flash on my
eyelids, tattooing pictures
Gently in my heart,

Forever graphed with
Favorite ink. I envy her
In green Paradise!



© Donald Grube, 2010

True Love

Warm security
Having one loved
At letters' distance

Bubbling panic
When loves truth
Moves in next door



1983



© Donald Grube, 2010

Monday, January 18, 2010

To Spread, Publish, Impart

The deadline is near
Check my source on that one fact
I can't publish now!

My editor's pissed
She'll just have to wait until
I get it correct

Latin for publish...
Vulgo, to spread or publish
That's it. I've got it!

Ms. Penelope?
Here is my linked senryu
In time to print?
                                Yes!



© Donald Grube, 2010

Contemplation

Today I attended a memorial service for Ronn, a local lighting designer.

Then I ran a tech rehearsal for  Karen who is celebrating the literature of Claire, a poet.

My heart is shaking with their
brilliance!



© Donald Grube, 2010

Saturday, January 16, 2010

Rich and Scully at the Capitola Book Cafe. Tuesday, 1/12/2010

For sale that night:

Vagabond Flags, Serbia & Kosovo, Journal, Scrapbook & Notes
by James Scully

Oceania, a sheaf of poems
by James Scully

A Human Eye, Essays on Art in Society, 1997-2008
by Adrienne Rich

Both poets read poems from various periods in their careers.

After the reading when talking to James Scully and receiving his autograph, I shared with him the deep respect the poem about his Mother awoke in me. My Dad spent about 8 years dying one little piece at a time. Throughout his performance, James read with a comfortable whimsy and sense of humor.

Adrienne Rich could have been reading in the Colleseum with her grounded, robust, and metered voice. It wasn't until I was within inches of her breath, kneeling while she signed, that I witnessed her grip on life. She shook my hand! Somehow our experience gives me confidence to write exactly what I'm feeling.

It was also a fabulous evening for my Mother, Patricia Grube and a new friend Fabiola, both poets.



© Donald Grube, 2010

Friday, January 15, 2010

Technical Feats Deflate Avatar's Plot; Demeaning

No comment.



© Donald Grube, 2010

a the Gertrude come Gertrude back come a back Gertrude back Stein come a back Gertrude back Gertrude back Gertrude back a Stein please

Please come back Gertrude Stein!



© Donald Grube, 2010

A Senryu

my room is a mess
books, clothes, change... and so much more
beeswax candle burns



© Donald Grube, 2010

Tuesday, January 5, 2010

Reason for Blogging

The reason I finally decided to create a blog is to keep track of the verbal side of my art life. Of course I have journals teeming with appropriate and inappropriate info, but the publishing element forces me to "get it right" and share it with family, friends and professional colleagues. So here goes...



© Donald Grube, 2010

Followers

About Me

My photo
I like to work furiously on the project in front of me. Having lots of skills I am often called on by friends to help out. I am learning to soften my brutal honesty. I know what's true by a feeling that wells up in my left Achilles tendon.